Today Christina Nichole Dickson looks at the topic of Photo Essays. Christina is a photojournalist for Revolutionary Media. She is also an instructor with the Institute in Photographic Studies. Her work may be found at Christina Nichole Photography.
In the last twenty years, video and film have become the predominant forms of modern storytelling. But before video, there was photography. And for the last one hundred years photography and storytelling went hand in hand.
Now more than ever, the power of storytelling ought to be harnessed. But telling a story with photos takes more than just a skillful photographer. An impacting photo story can only be developed by skillful photographers who understand the emotions and concepts behind ever-great story.
The form of such a story is called the photo essay.
What is a Photo Essay?
A photo essay is very simply a collection of images that are placed in a specific order to tell the progression of events, emotions, and concepts. Used by world class photojournalists such as Lauren Greenfield and James Nachtwey, and Joachim Ladefoged to name a few, the photo essay takes the same story telling techniques as a normal essay, translated into visual images.
5 Photo Essay Tips
A photo essay isn’t simply for photojournalists however. Every human being is drawn to stories. Whether you are an amateur or a professional, the photo essay is a brilliant way to bring your images to life and touch your family, friends, and coworkers.
1. Find a topic: Photo essays are most dynamic when you as the photographer care about the subject. Whether you choose to document the first month of a newborn in the family, the process of a school drama production, or even a birthday party, make your topic something in which you find interest.
2. Do your researchh: If you document a newborn’s first month, spend time with the family. Discover who the parents are, what culture they are from, whether they are upper or lower class. If you cover the process of a school’s drama production, talk with the teachers, actors and stage hands; investigate the general interest of the student body; find out how they are financing the production and keeping costs down. If you photograph a birthday party, check out the theme, the decorations they plan on using, what the birthday kid hopes to get for his or her gifts. All of these factors will help you in planning out the type of shots you set up for your story.
3. Find the “real story”: After your research, you can determine the angle you want to take your story. Is the newborn the first son of a wealthy family on whom the family legacy will continue? Or does the baby have a rare heart condition? Is the drama production an effort to bring the student body together? Or is it featuring a child star? Is the birthday party for an adolescent turning 13, or the last birthday of a dying cancer patient? Though each story idea is the same, the main factors of each story create an incredibly unique story.
4. Every dynamic story is built on a set of core values and emotions that touch the heart of its audience. Anger. Joy. Fear. Hurt. Excitement. The best way you can connect your photo essay with its audience is to draw out the emotions within the story and utilize them in your shots. This does not mean that you manipulate your audience’s emotions. You merely use emotion as a connecting point.
5.Plan your shots: Whether you decide to sit down and extensively visualize each shot of the story, or simply walk through the venue in your mind, you will want to think about the type of shots that will work best to tell your story. I recommend beginners first start out by creating a “shot list” for the story. Each shot will work like a sentence in a one-paragraph story. Typically, you can start with 10 shots. Each shot must emphasize a different concept or emotion that can be woven together with the other images for the final draft of the story.
Remember that story telling takes practice. You don’t have to be an incredible writer to pull off a powerful photo essay. All you need is a bit of photographic technique, some creativity, and a lot of heart. And once you begin taking pictures in stories, your images will never be the same.
In part II of this series on Photo Essays, I will give a practical example of how I apply these techniques in a photo essay of my own.
Photographs of Hands
By Richard Seah
31 Dec 2008
The challenge in producing a book on Photographs of Hands is to present both quality and quantity.
"Too many photographs of hands can be boring," my friend had warned and I readily agreed.
After all, I have often enough been bored by too many photographs of landscapes, flowers, architecture, portraits, nudes, cute babies, etc etc. There are hundreds and thousands of books on these subjects.
Yet there is, as far as I know, only ONE existing book on the subject of hands.
This is Speaking with Hands published by Henry Mendelssohn Buhl, a photographer, philanthropist and community activist who has built up a sizeable collection of photographs of hands by various photographic artists.
So my new book could well be only the world's second book of photographs of hands. And the first by a single artist!
The purpose of this book demands a good quantity of images. The message that I wish to put out is that it is possible to create good photographs of hands in just about any situation. I want to tell the world of photography that, hey, you have neglected this fascinating subject for far too long.
So I need to present a good number of images, without compromising on quality.
This book has been on my mind for years. Finally, I felt ready to put it together.
Without setting any target on numbers, I set out to put the book together just before Christmas. In the end, I came up with a selection of 87 of my best - and most representative - photographs of hands.
The book is divided into five sections.
Hands in prayer, the main section, has the most images - 28. This reflects my personal interest in what I call "spiritual photography" that captures a person's most intimate moments with God, the Universe and the inner self.
Hands at work has nine images - not a lot as I don't have many opportunities to photograph people while they are working.
A show of hands feature hands in entertainment and the arts - this is a new and fast growing area of photography for me and this section has 21 images.
Hand-made features man-made objects like statues and mannequins. This has 11 images.
The final section is titled Just hands - not doing anything in particular. 17 images here.
Plus, there is another image on my acknowledgements page, making 87 altogether.
Here's a sampling of images from my new book, Photographs of Hands.
The book is currently available as an e-bookand a print-on-demand book at Blurb.com.
It will shortly also be available as a print-on-demand book at Blurb.com.
My wish, of course, is to have this published as a regular book. If you can help me achieve this wish in any way - and help make this book the success that it deserves to be - bless you, please contact me.
It is coming to 1 am, January 1 2009 in Singapore as I am about to finish writing this.
I wish one and all a very Happy, Successful and Blessed New Year.